SAE Magazine 13-3

INDEX urally, qually at you what other dig a game what I natural so in ots of with now? e characters in a fantasy f a difference there. with Photoshop and a e the challenges when is to come up with ideas. ltiple ones. designs for a sword, and e, creativity-wise. e vision of the art director sy. A lot depends on com- riefing. You have to cope with the fact that a lot of your art gets rejected, so the challenge is not to become too attached to your work but inspired enough to do some more. Klaus: Sometimes it is the client that you have to keep an eye on. Not only because he/she might not be able to tell a sketch from a finished painting but also because sometimes ideas change during development. This can result in extra work and the need to have this compensated must be communicated at an early stage. Staying within budget is important for both sides. If you are transparent in this your partnership with your customer will thrive. ➤ Luisa’s cover for the upcoming fantasy novel “Scharfrichter”. Publication date to be determined. In the early 90ies Saber Rider and the Star Sheriffs gave Klaus the itch to pick up the pencil and start drawing. Now he’s come full circle working as cover artist for new episodes produced as audio drama in Germany. By www.anime-house.de.

SAE Magazine 13-3

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