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SAE Magazine 13-3

154 PRODUCTION & KNOW HOW // 2 SOLITI IDIOTI - SOUNDTRACK “MAKING OF” The sound recording of the first 30-minute block of film was made using Logic, Cubase and Ableton Live. However the ideas initially proposed were rejected, precisely because of the non-cinematographic ap- proach that the film’s authors and coordinator had wanted to give the project. When composing for the cinema, a main theme is normally established to create a link, a thread run- ning through all the scenes. Giorgio recalled: “The entire operation was at risk but we resumed production convinced that it was possible to compose a theme based on the original works to be synchronised.” Thanks to the contribution Filo Q, composers of the tional phase in the Media recording of 65 cue points It was subsequently tran form thanks to the record programming on a sequen The end result? The them complete and in line with and authors. Various recording studios now closed Logic in Milan welcomed the likes of Ray Paul Young, Rihanna and Production studios utilise studios, as well as Gnu Q Mixing and mastering too seen by Gigi Piscitelli, Gio The pair founded produc and their collaboration be lecture rooms of SAE Mila Giorgio Pona Giorgio Pona has been SAE Milan Campus Manager since March 2013. In the past he has worked in record production based in both Milan and London. n INFOBOX

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