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SAE Magazine 13-3

INDEX e Hobbit, and distributed hout Italy, the full-length shared the comedy style es Little Britain, 1 2 Soliti missions. s Manager, Giorgio Pona, nd production coordinator ssisted by other SAE staff ue Film, a leading name ction and RTI, the music ian broadcaster Mediaset the work in stages. proach at a general meet- originalscreenplay,Franc- iggio and Martino Ferro. cript and a brainstorming to establish the appropri- moments for music within uite a challenge because rent musical genres and ” s a blend of internation- Keys, Cat Stevens and original music from Club alibro 35 - creators of the as the mark of crime films But what is the logic of using genres as different as classical, rock and hip-hop? The film wants to get very close to its target audi- ence, consisting mainly of young people with varied tastes in music. JustlikeaniPodplaylist,theproductionteamworked together to achieve a result that is fresh, young and never banal. At a later stage, what might be defined as the ‘sec- ond phase’, Giorgio assembled the right team. A ‘multi- purpose team’ was created by opening the doors to, amongst others, Bachelor of Arts Audio Production students from SAE Milan. And two of the students Massimiliano Lombar- do and Manuel Santilli also appear as Production Assistants in the soundtrack credits together with ‘head engineer’ Filippo Gabbrielli, a Senior Lecturer at SAE Milan. ➤ Cue points Photos:SAEMilan

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