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SAE Magazine 13-2

n he was offered both. t shortly after starting his ad to him being promoted. assistant and IT manager technical infrastructure of became the new director edicate more time to SAE o step down from his post still actively focused on studio, such as being in spects of a new building. eer we often go off on s tastes in music or what ay to record and why. this is a topic that I find d this is evidently the case enre of music is jazz he hing. He also reveals he crophones as possible for ue authentic sound. music being created and ent that, he explains, as e tool after all. t that a lot of music groups end to over-produce their ck the fundamental emo- oftware that he helped to Katz and Charles Dye in 2008 called Turn Me Up. This measures the loud- ness in music and was part of an initiative to prevent mastered tracks from being too loud. Asked about his hobbies, Robin said growing up he had a big interest in sport. Being an avid Barcelona supporter, he used to play football on a semi-professional level until he was 16, instead deciding to focus more of his time on music. He is also a keen tennis player. Aside from sport, Robin lists IT programming, music and reading amongst his other hobbies. Quizzed on his plans for the future, a frank Robin says he intends to focus the majority of his time on continuing to teach Audio Engineering. ➤ Robin at one of the smaller dubbing stages at Galaxy Studios, a room he technically designed. Index ue SAE high flyer Photo:DaveAshton

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