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SAE Magazine 13-2

112 Production & Know How // Adaptation process In this specific case the context also determined the use of electronic candles and the subtitle of the installation ‘Modern Rituals’, meant as a play- ful provocation to stimulate thoughts on our relationship with technology in an accelerated world. In the Latin tradition, incidentally, the term ‘oscilla’ was used to designate small votive objects deco- rated with faces or masks that were hung during rituals and would swing in the wind (hence the term oscillation). The programming of OSCILLA went through various development stages and I have created various versions to this date, mostly working with Pure Data, Max MSP (Jitter), Quartz Composer and Isadora. Since the first versions in the spring of 2011 OSCILLA has been presented at various fes- tivals and art galleries in Europe in various forms including small tabletop versions, a self-contained model w touch-screen mode, med and eight meter-wide ‘stag can actually interact while Ashort documentary of so can be found online at ww ing the OSCILLA links. Th distributed by UBIKteatro technical partner. Photo:KernelFestival2011 Figure 5: OSCILLA, Kernel Festival 2011, Milan, IT OSCILLA , Impron

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