SAE Magazine

maker you should use the on what it is you want to u know how to use these reinterpret occurrences, t happened with painting, d quality close to photo- cially in the 18th century, s, textures, highlights and eople then realised that mediate reality and reinter- mpressionists and abstract n and everything else that important lesson you’ve career? CR: Always be perseverant in creating a story that is complete without holding anything back. ED: How do you see the way cinema exists in the world, today? CR: Every time cinema is more and more divided between actual cinema and shallow enter- tainment. Entertainment cinema is becoming more of a circus that an art form. ED: Do you believe that cinema has enough adequate platforms dedicated to distribution? CR: I believe that there should be more specialised theatres. Theatres that offer people a wider variety of cinema, like the Cine- teca Nacional in Mexico City. People think that there is no audience for this type of theatre, they´d be wrong. ED: Carlos thank you very much for sharing your thoughts and film with us here at SAE Institute México. We hope to see you soon again. CR: Thank you, hope to be back again soon. INDEX udents Q&A deo of the Q&A as had with SAE ts: s: oticias-sae/382-visita- ae-institute-mexico 971 as Best Director, l, Best Director, 2012. 2002; Batalla en el nciosa, 2007; 012. n INFOBOX Luz Silenciosa, 2007 Photo:IMDB Post Tenebras Lux, 2012 Photo:IMDB

SAE Magazine

Pages