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SAE Magazine

ed they did the same thing monitors found on stage. o teacher at SAE Institute whole time to assist and n once the audio system They were 1 hour behind e decision was made to h just the opening band. cult to mix because of the wo pianos, one sampler, processors, drums and y 9 o’clock and the sound then. June started playing with the exception of one of ns had connected another and the level was not the nd check. and asked Ijiel Gold, the e PA mix, to listen care- was missing. It took just realise what was happen- up. After that, everything INDEX The chance for band, Licor de Naranja to make us dance was coming. The PA engineer and student, Carlos Barraza, knew it was going to be hard because they had no opportunity to do any sound check. But after just one song the band was sounding amazingly good. No more surprises except for one small feedback on the monitor mix. All the students were working; Javier was asking the same level of commitment and excellence he is used to working with on his regular shows. The students were now really working in a professional environment. By 12:15 the live show was over and it was time for the DJ to end the night. After all the hard work and pressure of the live audio engineering workflow, they all went to rest with a big smile on their faces and a real pro- fessional experience in their hearts. More info about our students’ accomplishments http://mexico.sae.edu/saealumni n Photo:SAEInstituteMexico Students mounting instruments on the stage

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