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SAE Magazine

116 We just need to try to dev of cultural changes since cally capturing the divers this transformation is reasons. Whenever explo ance of a new factor and life, one may generally infe process of adapting the o because of the academ ideas are trapped in the a solutions (views, princip units) and in pure indiv develop according to the u poser – performer) and not admit the aforeme collective intellect, let development of musical c circumstances they would principle - individuality would of course be a bur it would create an op individual and collective fr of music and audio conte History teaches us that it to understand news. n PRODUCTION & KNOW HOW // AUDIO FOR FILM Yet there was a brand new scheme developing in parallel: film music. The latter was not driven by a quest for new expressive elements, techniques, styles or atypical solutions within the structure, but it opened up a new way of thinking. Offered a new mental world and brand new laws. That is why it is necessary to go back to the cultural transforma- tion of sound, to the associated education, and, of course, to the ‘transformation of thought’. In this context the film Mechanical Ballet (1924) became a symbol of the emergence of the ʻsilent imageʼ and raised the question of the flamboyant ‘man-machine-operator’ within the idea of an imag- inary democracy, unlocking the shackles of immo- bility, a descent in the mechanical world with only one possible axis. Setting the scene film scoring for Kvintesenca EksistencePhoto:RokN.Nagode

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