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SAE Magazine

108 The equipment was suddenly enlarged by a crane, lighting and other things that made it possible for far more spectacular scenes. Otherwise, the scenes were shot mainly with available light. Thanks to the high-aperture objective very good shots could be done and were subjected to only minimal colour correction. Light and colours in Jamaica helped the crew to create a visually handsome video. On the topic of extras, the crew had to rely on help from the band again. And they were not dis- appointed. Voicemail is such a favourite band in Jamaica that almost everyone was willing to support the production in any way possible. The Jamaicans motto “no problem” is not just a cliché but a fact. What normally has to be request- ed mostly working days in advance and must be approved in Germany, gets done very spontane- ously and easily in Jamaica. During the post-production in Germany amazing events happened. The songs were being partially rearranged and completed after the filming pro- gramme. But then, what really de tion, was when one of the shot in front of his home moved into the unknown all the work was no longe band would continue any f two members, Kevin and pean tour featuring singer months later. The work of the three G must have left an impres stay in Germany they sh single ‘Wrong Number’ - conditions of a planned finished and released in 2 PRODUCTION & KNOW HOW // SET ON THE PLAN About the production and some project fact Company: Co-production between Roller) and Dejo-Media ( Nagy). Media Agency fo Herrenberg and Tuttling Film, 2D/3D-Animation, Jonas Herzog and Fran at SAE Institute Stuttgar During their studies they nies, which worked toge co-production. Their por mercials, industrial and videos and 2D/3D-visua Voicemail - ‘My Money’ - Screenshot Photo:EFFERMediaundDejo-Media 108

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