SAE Magazine 13-3

INDEX worked with the recording o engineer and technical o the management of the many Italian and interna- ing, Andrea Bocelli, Elisa, Gualazzi, Giovanni Allevi, otti, Subsonica, Sananda entrale Elettrica. of studio engineer may ap- orward. considerable technical ex- on skills, where approach are basic requirements for that is constantly chang- f working, introducing the sional studio engineer into ere education and passion ties. Communication is a dio field it is difficult to be ces are needed whether information technology to Emilano Alborghetti is Head of Audio of SAE Milan He has worked for many Italian and interna- tional artists, including Sting, Andrea Bocelli, Elisa, Malika Ajane, Raphael Gualazzi, Giovanni Allevi, Francesco Renga, Jovanotti, Subsonica, Sananda Maitreya, Le Luci della Centrale Elettrica, plus many others. n INFOBOX However, if it’s true that the best albums are those made in an environment where attention, mutual trust and participation are particularly cared for, the training route has much in common with the record industry and the creative industry in general. Emiliano said: “These few months have constituted one of the most important challenges ever for me and helping oversee the transfer to the new cam- pus has demanded a lot of energy. “I took on the task with enthusiasm, relying on my human experience, as well as that of sound engi- neer and studio manager. “These can rightly be considered important bricks not only in building my work experience but also in terms of the dynamics of relationships with colleagues and with the com- pany. “This has given me the glue necessary for securing the basis of a fruitful and long-lasting relation- ship.” n

SAE Magazine 13-3

Pages