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SAE Magazine 13-3

working as a freelance he adopted since 2004, ently been appointed Head n. sumed responsibility for ing the teaching, didactic ths for the Audio depart- s. said: “Teaching and train- rt and parcel of my profes- earning and research are tant values for achieving nvironment. “In SAE Milan he best environment and , which means that I have n with great enthusiasm.” the opportunity to contrib- nt both in the offer of train- on with the work environ- ed today, of which I have edge over years of direct on technician in the music ed with SAE Milan’s move s in Via Morimondo to the lding which covers 3,000 tern part of the city. reas of responsibility, as hetti collaborated on the nical equipment and the completion of the seven new audio department recording studios and specific production rooms for the different subjects taught on campus. He recalled: “It was the management’s desire to create a site offering a top quality training experi- ence in terms of quantity, quality and specific train- ing areas and learning paths. “I accepted the task with great enthusiasm, finding myself in the position of managing the technical pro- jects for the studios.” He stressed that as well as ensuring the equipment was of the highest quality he was adamant it would perfectly complement the teaching provision that makes up the audio courses. “I consider myself well satisfied with the result, since I believe the new campus represents a unique op- portunity for following a logical and profitable route through all the steps necessary for mastering the art of sound recording and music production,” he said. His expertise can be traced right back to the record- ing studio. ForEmilianostartedoutassoundengineerforbands and clubs on Milan’s music scene in the mid ‘90s. ➤ INDEX His expertise can be traced right back to the recording studio.

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