SAE Magazine 13-3

146 PRODUCTION & KNOW HOW // HOW THE MATERIALS AND CONDITIONS OF A VENUE AFFECT SOUND I am very grateful to Los both renowned touring b enough to help and share I did ask them to act a littl though, after all I am tryin to the time pressure of ‘th A few weeks into class I w tunity to set up an exterio where my students could p to the test. The head of audio sugg house where the cafeteria School officials approved could taste the contrast b forcement worlds, inside a priceless, they could not two approaches were. Their main struggle was a powerful public address quite cutting through. More volume maybe the s old friend the feedback lo time like an annoying go and floor monitors. “Find the feedback frequen my self shouting from time Gradually the sound impro together taking on roles r the stage to taking turns w For more pictures and information go to: https://www.facebook.com/SAE.Institute.Mexi- co Los Bábara: http://www.losbabara.com/ Funtastics: http://funtasticsmusic.bandcamp.com/ n INFOBOX A big mistake was made and everybody had a chance to learn from it. After all that is what the students were there for.

SAE Magazine 13-3

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