SAE Magazine 13-3

INDEX twice. Make the first line neath the thicker blue line. thick that it covers both of s, change the colour from layer style to ‘Overlay’. In shortened a bit. Group the m up and place them over create an additional lay- g light cone which is later ayer styles. Zooming onto e illuminated edges of the e sketch, two space ships ground of the image while used to create the smoke with the lighting tool in a is a 23-year-old visual many who specialises in d concept art. He works uluSplitter. In 2005 he gn but he soon discovered n digital painting. and concept art proved to han web design so at the ly decided to focus fully on e worked on different pro- strator, concept artist and Digital Film Making at Mid- n via the SAE Institute in Germany. He is a fast learner and a perfectionist as well as a good team player. He enjoys learning new things and likes to work with creative, versatile art- ists to resolve problems in a new and creative way. Meanwhile he started working for TRIXTER, one of the leading VFX studios in Germany based in Munich, Los Angeles and Berlin which did amazing and photo real visual effects and concept arts for Iron Man 3, Cloud Atlas, The Avengers and for the upcoming feature film Seventh Son. Tony’s working as Concept Artist and Digital Matte Painter there. Tony is available for freelance work; please feel free to contact him. http://www.zulusplitter.de n Features and Awards ▪ Advanced Photoshop UK - Image of the Week - 2013 ▪ Digital Paintbook Artbook - Matte Painting Tutorial - 2012 ▪ Ballistic Publishing - Feature in EXPOSÉ 10 - 2012 ▪ 2D Artist GERMANY - Feature in the last Issue - 2012 ▪ Advanced Photoshop UK - Feature in Issue 97 - 2012 ▪ Advanced Photoshop UK - Image of the Week - 2012 ▪ Imagine FX - Image of the Day - 2011 ▪ Deviant art - Daily Deviation Award - 2011 ▪ Advanced Photoshop GERMANY ▪ Feature in the Magazine - 2011 ▪ Deviant art - Daily Deviation Award – 2010. n INFOBOX

SAE Magazine 13-3

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