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SAE Magazine 13-3

INDEX ough ground is done, we’ll at a later point. in on the left: pick a pho- uch as a shot of a sand- cut it out and once again ur and size. Your pebble serves as colour and size restimate the adjustment act work in this phase will point. Continue by adjust- es. Create another mask he mask is edited with the est possible transition be- sandstone ground. other photos of the moun- s the illuminated area. To nd result, illuminated ele- ments are essential. They give your brain enough information to integrate dark areas three-dimen- sionally. Next, focus on the stones on the right hand side of the image and which present a clear delinea- tion from the centre point. Finding stones of similar structure like those in the background can be tricky at times. It is particularly important that they are pointy and have hard, edgy corners. In this context, stones close to the sea or stones close to salt wa- ter, primarily from Norway, Egypt and the Croatian- Italian area make sense here. As the salt water has an aggressive impact on the stones, they have hard and sharp edges. On sandy beaches, there are more stones the clos- er you get to the water while the amount of sand di- minishes accordingly. A fitting image should thus ➤

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