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SAE Magazine

92 ‘Live’ has quickly grown to become the de facto standard for live performance in the digital space. The workflow allows for myriad options both in production and performance, but how do we in- corporate the process of one to seamlessly transi- tion to the other? For me, this requires two simple things: 1) an organised workflow to find things eas- ily onstage under the lights, and 2) simplicity in how we control our sounds and session. Logical track order, naming conventions and colour combi- nations mean uncluttered sessions with easy to identify parts, song sect make getting around a sna ing time on music, not jus This process starts by tr your song like an instrum you make for how you bui reflect how you would play cated control schemes no can be built in racks to ma to control. PRODUCTION & KNOW HOW // ABLETON Ableton Live: A fresh look from studio to stage Fig. 1 MIDI Mapping Photo:BrianMarkman

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